bbooks · 2020 · 288 pages · English · with 122 full-page color and black-and-white images · €15 · ISBN: 978-3-942214-31-5
Highly complex, thoroughly networked societies are so susceptible in some ‘neuralgic spots’ that a single pinprick is enough to trigger a catastrophic chain reaction. In this insecure situation, threats are being amplified by neoliberal restructuring in the form of privatization and technological rationalization. Thus, rather than creating sustainable public structures that would make it easier to avert preventable harm, already precarious lifeworlds are made even more precarious. Aggravating these insecurities is neoliberal governmentality’s attempt to incorporate threats as capitalizable assets. Here, the idea of prevention is displaced by preemption—a strategy of making potential threats securable and hence available for political and economic speculation.
In Undeclared Movements, Krystian Woznicki explores the high price for and the limits of preemption. Zooming in on preventable ‘disasters’ in the Schengen Area – as varied as the “refugee crisis” of 2015 and “civil war” during the G20 in 2017 – Woznicki shows that the limits of preemption are manifesting themselves as enormous dangers for society, but also as opportunities for new forms of politics to arise. Written before the COVID-19 crisis, this book anticipates some of the urgent questions to be asked in the face of unprecedented yet preventable devastations: What does it mean for democracy that the exploitation of insecurities is contributing to the rise of increasingly AI-driven security industries, and public safety is being replaced by ‘national security’? What does it mean for co-existence that all of us are affected by the threats of densely inter-connected (and ultimately contagious) societies—but some are less vulnerable than others?
Woznicki writes: “By studying struggles that do not yet have an official political lobby, or that have not yet been actualized on the street or at a square as a recognizable collective body, it becomes possible to grasp political forms before the actualization of their potentialities occurs—that is, when we are on the brink of developing a political consciousness for what it means to be in the given crisis together.”
Table of Contents
The Schengen philosophy
Managing unpredictable movements
Urban crowd control
The indistinguishable many
Black bloc noise
“Like a Hollywood produtction”
Violence of deprivation
Who is disposable?
Whose exceptional politics?
Sensing undeclared movements
“In a time of pandemics, borders matter more than ever. Taking ‘corridors’ as a privileged lens to analyze strategies of movement management in the Schengen Area after 9/11, Krystian Woznicki provides us with powerful tools to anticipate processes, conflicts, and struggles of emergent futures.”—Sandro Mezzadra, political theorist, University of Bologna, co-author of Border as Method (2013)
“Whose data are deemed ‘clean,’ and whose ‘dirty’? Woznicki’s bold portrayal of illegalized mobility challenges narratives of exclusion and data-fueled divides in search of ways to truly co-exist and co-interpret our shared reality.”—Inte Gloerich, technology researcher, Institute of Network Cultures, Amsterdam, co-editor of State Machines (2019)
“Undeclared Movements traces insurgence in its global connections. Intertwining text and images, it confers a haptic sense of the frictions, struggles and political forms that underpin and contest our logistical present.”—Evelina Gambino, political geographer and fractional worker, University College London, author of Beyond Seamlessness (2019)
“In this era of preventable crisis, Woznicki devotes his analytical skills to deconstructing the latest upgrade of disaster capitalism.”—Marta Peirano, technology expert and social critic, co-founder of El Diario, Madrid, author of El Enemigo Conoce el Sistema (2019)
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For review copies, please contact the publishing house at verlag[at]bbooksz.de. For interview and talk requests, please contact the author at kw[at]berlinergazette.de.
Born in 1972 in Kłodzko, Poland. Lives and works in Berlin as a critic, organizer, photographer, and co-publisher of Berliner Gazette (BG), which he has been running since 1999 together with journalists, researchers, artists, activists and programmers as an experimental platform in online and offline formats, including seminars, exhibitions, and annual conferences. Situated at the intersection of digitalization and globalization, his work focuses mainly on socio-political questions of the common(s). Most recent teaching assignments include a Digital Politics seminar at Bard College Berlin.
Author and editor of more than ten publications, including monographs and readers. As author he joined the inter-disciplinary and international internet project Views (1995), which was created by the media artist Ulrike Gabriel to map networked discourses. Since 1995 regular contributions in over 40 print and online media – primarily in German and English, and, qua translation, in several other languages: Tokyo correspondent for Spex and Telepolis (1995-1998); columns in Wired Japan (1996-97), Japan Times (1998), and Camera Austria (2002-03); leading articles in the feuilleton of Frankfurter Rundschau (2003-06); recent contributions in Eurozine, Neue Gesellschaft | Frankfurter Hefte, NON, open!, springerin, Texte zur Kunst, transversal, WDR 5. Maintains an English-language blog on Mediapart.fr.
Organizer and curator of culture and media projects.
Projects prior to his Berliner Gazette commitment include a festival at SO 36/Berlin (1991), a film program at Cinevideo 5/Karlsruhe (1992), and a performance program at the alternative museum X’Teresa/Mexico City (1997). Activities parallel to his Berliner Gazette commitment include the digital archive 911.jpg, which was hosted by the Media Arts Lab of the Künstlerhaus Bethanien (2001-06) and the festival As Darkness Falls (2014), which was hosted by the Federal Cultural Foundation.
Photographer for periodicals and books since the mid-1990s. First created an extensive body of photo sequences for his book After the Planes (2017).
Speaker at grassroots initatives, cultural institutions, and universities since 1995, e.g. at Centraltheater (Leipzig), Documenta X (Kassel), FRAC (Marseille), Frankfurter Kunstverein (Frankfurt), Fundația Ceata (Bucharest), Goethe Institut (Belgrade), Gorki Theater (Berlin), Hokkaido University (Sapporo), Kunst Werke (Berlin), Mediamatik (Amsterdam), Media Lab Prado (Madrid), Medienturm (Graz), Maison Européenne de la Photographie (Paris), nbk (Berlin), Otherspace (Offenbach), Schauspiel Stuttgart (Stuttgart), Schirn Kunsthalle (Frankfurt), Shedhalle (Zurich), Städelschule (Frankfurt), Studio Hrdinů (Prague), t0/Public Netbase (Vienna), transmediale (Berlin), Universität Leipzig (Leipzig), Universidad Complutense (Madrid), and Volksbühne at Rosa Luxemburg Platz (Berlin).
A Field Guide to the Snowden Files (2017) | with contributions by Zejlko Blace, Simon Denny, Trevor Paglen, Laura Poitras, SAZAE bot, etc. *
Komplizen (2014) | with contributions by Leonhard Dobusch, Kenneth Goldsmith, Janina Loh, Felix Stalder, Gesa Ziemer, etc. *
Modell Autodidakt (2011) | with contributions by Konrad Becker, Florian Cramer, Helmut Draxler, Heike Hennig, Ruth Sonderegger, Susanne Stövhase, Mark Terkessidis, etc. *
Vernetzt (2009) | with contributions by Imran Ayata, Stefan Heidenreich, Helgard Haug, Jean-Luc Nancy, Anne Schreiber, Yoko Tawada, Joseph Vogl, etc.
McDeutsch (2007) | with contributions by Matias Faldbakken, Sabine Erlenwein, Rainer Ganahl, Geert Lovink, Yoshua Okon, Estela Schindel, Anja Wollenberg, Kofi Yakpo, etc.
Swiss (2004) | with contributions by Michael Hardt, Laura Horelli, Gabi Vogt, Immanuel Wallerstein, etc. **
Genoa (2004) | with contributions by Enrica Bartesaghi, Armin Linke, Nadja Rakowitz, Saskia Sassen, Jules Spinatch, Kyoichi Tsuzuki, etc. **
Peace (2003) | with contributions by Tom Holert, Jacqueline Stevens, Magdalena Taube, Siegfried Zielinski, etc. **
Sneakers (2002) | with contributions by Brian Jungen, Anne Philippi, Andrew Ross, etc. ***
* Magdalena Taube
** Nicolas Bourquin, Sven Ehmann
*** Sven Ehmann, Axel Fischer
Silent Works | Haus der Statistik, Berlin | Nov. 12-14, 2020 | with Abeba Birhane, Jenny Chan, Nelli Kambouri, Phoebe Moore, Noopur Raval, etc. *
More World | ZK/U – Center for Art and Urbanistics, Berlin | Oct. 10-12, 2019 | with Sujatha Byravan, Anja Kanngieser, Clara Mayer, Sudesh Mishra, Marta Peirano, etc. *
Ambient Revolts | ZK/U – Center for Art and Urbanistics, Berlin | Nov. 8-10, 2018 | with Evelina Gambino, Sandi Hilal, Dia Kayyali, Tanja Sihvonen, Dzina Zhuk, etc. *
Friendly Fire | ZK/U – Center for Art and Urbanistics, Berlin | Nov. 2-4, 2017 | with Atossa Araxia Abrahamian, James Bridle, Deborah Cowen, Felicity Scott, etc. *
Tacit Futures | Volksbühne am Rosa-Luxemburg Platz, Berlin | Oct. 27-29, 2016 | with Konrad Becker, Jennifer Kamau, Brian Massumi, Gayatri Chakravorty Spivak, etc. *
UN|COMMONS | Volksbühne at Rosa-Luxemburg Platz, Berlin | Oct. 22-24, 2015 | with Yochai Benkler, Michel Bauwens, Pelin Tan, Harsha Walia, etc. *
Slow Politics Europe | Supermarkt, Berlin | Nov. 13-15, 2014 | with Geert Lovink, Felix Stalder, Marina Sitrin, Max Haiven, etc. *
Slow Politics Asia | Porto, Sapporo | Sept. 27-29, 2014 | with Joi Ito, Mitsuhiro Takemura, Hiroyuki Ito, etc.*
Complicity | Supermarkt, Berlin | Nov. 7-9, 2013 | with Gesa Ziemer, Michiel de Jong, Valie Djordjevic, Leonhard Dobusch, Janina Sombetzki, etc. *
Digital Backyards | Kunstquartier Bethanien, Berlin | Oct. 18-20, 2012 | with Domenika Ahlrichs, Eleanor Saitta, Géraldine Delacroix, Marcel Mars, etc. *
Learning from Fukushima | General Public, Berlin | Oct. 29, 2011 | with Sean Bonner, Lila King, Tomomi Sasaki, etc. *
Mobile Textkulturen | ICI Berlin, Berlin | Oct. 22-24, 2010 | with andcompany&Co., Mercedes Bunz, Sascha Kösch, Verena Kuni, Robin Meyer-Lucht, Kathrin Passig, etc. *
Meergemeinschaft | Sophiensaele, Berlin | June 12-13, 2009 | with Inge Baxmann, Angelo Bolaffi, Roberto Esposito, Christopher Uhe, etc.
McDeutsch | Museum für Kommunikation, Berlin | Dec. 15, 2006 | with Rainer Ganahl, Herwig Kempf, Kofi Yakpo alias Linguist, Yasemin Yildiz, etc.
* Co-curated with Magdalena Taube and BG team
Silent Works | Haus der Statistik, Berlin | Nov. 7-28, 2020 | An exhibition project by the Berliner Gazette e.V., funded by the German Capital Fund with works by Tekla Aslanishvili, EEEFFF, Melanie Gilligan, Benjamin Heisenberg, etc. *
Signals | Diamondpaper Studio, Berlin | Sept. 12-26, 2017 | An exhibition project by the Berliner Gazette e.V., funded by the German Capital Fund with works by Zejlko Blace, Simon Denny, Laura Poitras, SAZAE Bot, University of the Phoenix, etc. *
As Darkness Falls | Volksbühne at Rosa-Luxemburg-Platz, Berlin | Jan. 25-26, 2014 | A festival of the Federal Cultural Foundation with contributions by andcompany&Co., Mercedes Bunz, Marcia Cavalcante, Anke Domscheit-Berg, Evgeny Morozov, Robert Pfaller, Bruce Sterling, Marina Weisband, etc. **
BQV – Büro für Qualifikation und Vermögen | Dr. Pong, Berlin | May 19 – June 9, 2012 | An exhibition project by the Berliner Gazette e.V., funded by the German Capital Fund with Alice Creisher, Diedrich Diederichsen, Gertrud Koch, Tomoko Nakasato, Tim Pritlove, Johannes Paul Raether, etc.*
in/compatible publics | House of World Cultures, Berlin | Feb. 1-4, 2012 | An event series at the transmediale with Gabriela Coleman, Jodi Dean, Norifumi Ogawa, Liza Tsaliki, etc. ***
Lebenskünstler | Kunstraum Kreuzberg/Bethanien + schools in 3 Berlin districts | Feb. 16-28, 2011 | A project by the Berliner Gazette e.V., funded by the Berlin Projects Fund for Cultural Education with Ali Chaer, Dirk Dresselhaus, Antje Majewski, Michael Markovicz, Jörg Offer, etc.*
Temporary Embassies | Berlin | Mar. 20 – Apr. 20, 2003 | An event series by Berliner Gazette e.V. in the context of the initiative Territorium jetzt! – Neue Republik Schwarzenberg, realized at spaces on Berlin‘s independent scene: Filmklub 58, Platoon Cultural Development, Springfeder Fabrik, FIPP, German Theater Abroad, Foto-Shop, Kurvenstar, Kaffee Burger, Reproducts Fernsehmuseum, filesharing, Kunstverein ACUD, nbi, Augenblick – Raum für Gegenwartswartskunst.
Young Japanese Cinema | Filmmuseum Antwerp | Apr. 9-30, 1997 | A film program funded by Japan Foundation with works by Tada Akio, Shojin Fukui, Utako Koguchi, Kazama Shiori, Hiroyuki Oki, Obitani Yuuri, etc.
Virus | X-Teresa Museum, Mexico City | Sept. 5-12, 1996 | Installation and performance program in the context of the 5th International Performance Festival Mexico City with works by Norimizu Ameya (Technocrat), Tadasu Takamine, etc.****
The Desire of Making the Invisible Visible | P-House, Tokyo | Aug. 11-22, 1996 | An exhibition in cooperation with the Tokyo Big Sight festival with works by Nina Fischer, Maroan el Sani, Mitsuhiro Takemura, etc.
* Magdalena Taube
** Sabrina Apitz, Chris Piallat, Magdalena Taube
*** Tatiana Bazzichelli
**** Eloy Tracisio
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Design: Colnate Group
Header Image: Krystian Woznicki, Park Fiction, Port of Hamburg, July 8, 2017. From: „Undeclared Movements“ (2020), p. 198-199.
Portrait of Krystian Woznicki: Norman Posselt, 2019.
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Last modified: June, 2020